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Percy Jackson et les Olympiens
All right, demigods-after two long years, Percy Jackson and the Olympians is making its official comeback. Disney+ just dropped a new trailer during San Diego Comic-Con, and it’s already setting the fandom abuzz. But beyond the shiny visuals and cryptic teasers, does season 2 look like a real step forward for this adaptation, or is Disney just coasting on nostalgia? As someone who grew up with the books, watched the movies fumble, and actually enjoyed what the first season brought to the table, I’ve got a few thoughts.
The first season of Percy Jackson and the Olympians felt like a genuine attempt to make amends for the disasterpieces that were the 2010 and 2013 movies. Fans, me included, gave a collective sigh of relief when the show actually respected the source material and got key character vibes right. The numbers didn’t lie: with over 110 million hours watched in just seven weeks, plus a 91% critics’ score on Rotten Tomatoes, season one pulled off what most book-to-screen YA fantasy shows have struggled with since the days of Harry Potter.
But that was the easy part. “The Lightning Thief” is the introductory romp-fun, filled with quests, but not exactly the franchise’s emotional or narrative apex. “Sea of Monsters,” which season 2 adapts, is where Riordan’s series gets darker, weirder, and a lot more ambitious. If Disney can’t nail the mix of myth, modern-deity drama, and coming-of-age chaos that sets these books apart, the goodwill from that first season could evaporate faster than nectar at a demigod party.
Let’s talk about that new Comic-Con trailer. The narration by Poseidon (who actually gets to sound, well, godly) sets the stakes: magic barriers are collapsing, evil’s stirring, and Percy’s got a brother-sized surprise in the mix. Fans of the books will immediately clock the Mer des Monstres—aka the Sea of Monsters—a deep dive into Greek myth and one of Riordan’s most inventive set-pieces.

We’re getting the big beats: the dying camp tree, Clarisse (Dior Goodjohn’s take looks promising), and, crucially, Tyson the cyclops brother. The trio of Percy, Annabeth, and Grover are back, and actor additions like Daniel Diemer as Tyson were long overdue after the movies snubbed that character. Zeus gets a new face with Courtney B. Vance, following Lance Reddick’s passing—casting that, honestly, has potential if Disney lets him dig into the king-of-gods gravitas.
Here’s the thing: TV fantasy rarely gets a second shot if it fumbles the ball early. The difference-maker for Percy Jackson has been respect for the universe—no more forced love triangles, no casting older actors to play tweens, and no random massive changes “for drama.” Instead, Disney+ is finally giving YA fandoms what they’ve wanted: faithfulness, stakes, and pacing not dictated by network execs afraid of scaring off “the family audience.”
It also helps that the show is landing in a post-Game of Thrones, post-Stranger Things TV landscape, where streaming fantasy can actually get budgets and audiences. If you were burned by Willow’s abrupt cancellation or bored by other watered-down book adaptations, I hear you. But Percy Jackson hasn’t just survived—it’s building momentum, and the December release window means Disney knows what’s at stake.

Fantasy adaptations live and die on whether they can capture the community energy—the inside jokes, the shared lore, the “did you see that monster?” moments. Season 1 showed potential, but season 2 is where Percy Jackson needs to prove it can take on not just nostalgia, but the genre titans currently dominating streaming. Miss the emotional depth or paper over the weirdness, and it risks being another footnote. Get it right, and this could finally be the Greek mythology series fans have been waiting for.
Percy Jackson and the Olympians returns December 10, 2025, with a second season that raises the stakes for adaptation-quality fantasy TV. The new trailer teases a darker, bolder arc—and if Disney’s respect for Riordan’s world holds, this could be the series that finally sets the standard for YA mythology on screen.
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